Americans for the Arts is committed to a vision of the arts being recognized as integral to the lives of all people and essential to healthy, vibrant, and equitable communities across the nation. The work of the organization is guided by a board-approved strategic plan with the advice of our leadership councils, strategic partners, local…
Beautiful tribute following yesterday’s tragic fire at Notre Dame de Paris.
I am still speechless in the wake of last night’s tragedy at Notre Dame de Paris. As a child, I remember hearing that rain was the angels weeping. I think this image from a childhood favorite conveys the feelings of most of the world this morning. In this time of sadness, it bears remembering the […]
I have never really been a fan of Brutalist architecture. I was privileged as a young student to visit Baltimore’s famous Morris A. Mechanic Theatre. In later years, I often enjoyed passing through the cool caves created by the fountains at McKeldin Square, zipping up to the Observation Deck at the World Trade Center, or guiding friends through the rain forest and then to the dark depths of the sea at the National Aquarium, all located on Baltimore’s Inner Harbor. And as a graduate student, I even had the unique opportunity to spend most of a year working at the National Theatre in London’s South Bank.
In almost every case, I found the experiences I had on the inside of these buildings to be more interesting than withtheir mostly concrete exteriors. The often window-less walls were great for keeping out the light for shows at the theatre. And the views from buildings like the NT and the WTC were spectacular when I was inside looking out. But I never considered the buildings to be especially beautiful in and of themselves.